The AI co-producer
for music.
Other AI music tools hand you a file you didn't write and can't recreate. MICA collaborates — reading your work, explaining the choices behind it, and handing back craft you can keep, edit, and learn from inside your DAW.
Most tools generate output. MICA develops your craft.
Every reply teaches you something — the theory behind the move, the assets you can keep, and the next decision that's yours to make. You leave each session a better musician.
Three places every AI music tool quietly diverges from MICA.
- OutputA stereo file you can't open.
- ReasoningA prompt in, a black-box out.
- OwnershipYou can't recreate it without the tool.
- OutputMIDI, stems, sections — editable in your DAW.
- ReasoningEvery move explained in plain theory.
- OwnershipYou leave with craft you understand.
Other tools give you a file.
MICA gives you craft.
The power isn't in the output. It's in the collaboration and context behind it — so what you finish with is yours, editable, and something you actually understand.
Most tools hand you audio and call it done. Real work is the stems, the MIDI, the sections, and the decisions you still need to make.
Output without context is a dead end. MICA shows the key, the voicings, the why — so the next version comes from you.
Creators need to understand why a chord pulls, not only that it does. MICA explains in plain language, the way a collaborator would.
Ableton, Logic, Pro Tools. MICA hands assets back to your session — never into a closed garden you can't edit.
Same key. Same vocal. Different craft.
Two short voicings, synthesized in your browser so you can hear the move MICA would make — not stock music, not AI generation, just the harmonic decision in isolation.
Headphones recommended. No audio is loaded — sound is generated on play.
Other tools make music for you. MICA makes you a better musician.
A single surface for ideation, theory, arrangement, and production-ready export.
Talk to MICA the way you'd talk to a co-producer in the room.
Bring demos, melodies, stems, or full arrangements. MICA picks up where you left off.
Key, harmony, modulation, instrumentation — explained, not lectured.
Split arrangements into drums, bass, piano, chords, strings, vocals.
Editable assets and Ableton / Logic project sections, on export.
Education built into the creation flow. Skill grows as you work.
Drop a track. MICA hears it before you finish typing.
Key, tempo, sections, chord movement — surfaced in seconds so the conversation starts already knowing your song.
Say what you want. Hear it in thirty seconds.
Not a black-box loop. A reference sketch you can extend, restyle, or send back into the arrangement — with the chords, tempo, and instrumentation MICA chose all shown.
From an idea to a DAW session, in one conversation.
Built for the people music actually depends on.
- —Turn rough demos into arranged ideas
- —Explore richer chords and voicings
- —Generate editable sections
- —Export production-ready assets
- —Separate instrument families
- —Build orchestral sections
- —Export MIDI and stems
- —Scoring-ready workflows
- —Teach theory inside creation
- —Show harmonic reasoning plainly
- —Support composition & arranging
- —Bridge to orchestration
A studio your students already want to be in.
Every session is a lesson trace: the chords they tried, the voicings MICA offered back, and the theory behind each move. Assign, review, and annotate — inside the same tool they compose in.
- 01Ana R.Verse — Fm reharm attemptReviewed
- 02Jules T.Chorus voicings, closed → openNew
- 03Kai M.Bass line under bridgeIn progress
- 04Priya S.Cadence: iv → I in G minorNew
Tried Fm9 in root position but it sounds muddy against the bass. Any way to open it up?
Drop the root — the bass already gives it to you — and voice Ab · C · Eb · G up around C4. That's a rootless Fm9 in third-inversion feel, and it clears the low mids.
Good instinct on the muddiness. For homework: try the same rootless voicing in Bbm9 and tell me which chord tone you had to move.
Prompts, rubrics, and reference tracks — pushed to the whole cohort or one student.
Every chord tried, every voicing MICA offered, every take recorded.
Comments live on the moment they refer to — not scattered in email.
A creation tool that teaches while it works.
For schools, conservatories, creator programs, and studios — MICA brings theory, composition, arranging, and production into a single conversation.
Directional figures, not deduplicated.
Preview pricing. Launching soon.
MICA is in private preview — no billing yet. These are the launch tiers. Join the waitlist and you'll lock in preview pricing for life.
For songwriters and beatmakers building ideas.
- AI music generation
- Chord & progression analysis
- Theory (Roman numerals, voice leading)
- Piano-roll visualization
- MIDI export
For producers working in a DAW every day.
- Everything in Creator
- DAW integration (plugin — coming)
- Real-time production feedback
- Mix & arrangement intelligence
- Human-emotion → music brief
For studios and creative teams.
- Everything in Producer
- Team collaboration
- Advanced production theory engine
- Priority AI models
- Shared session vault
For schools, conservatories, and creator programs.
- Seat licensing for cohorts
- Curriculum integration
- Educator dashboards
- SSO & admin controls
- Dedicated onboarding
Not billed today. Waitlist members get launch pricing locked in for life.
Join the waitlist.
We're onboarding producers, composers, educators, institutions, and affiliates first.
Get in touch.
Tell us who you are and what you're working on. We read everything.